How does it make you feel? Sandra McGrath, Brett Whiteley, 'Lavender Bay: Optical Ecstasy', pg. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. The elongated centre image of Whiteley references the uproar over William Dobells unconventional Archibald-winning portrait of Joshua Smith of 1943. [24] The paperback, featuring a new cover, was released in 2017. 201-202, North Ryde, 2010, 202 (colour illus.). However, this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. Artists; A-Z Listing; Art movements; Schools and groups The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. 86. Brett Whiteley. Photo David Christian, Brett Whiteley, 'Self portrait at 16', 1955, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait in the studio', 1976, Art Gallery of New South Wales. David Shteinman, Philosopher, 'Tribute to a Dionysian Free Spirit. BRETT WHITELEY. Whiteley's return to Australia in 1969 heralded a new preoccupation with colour and beauty. He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. The big self-portrait looking at himself in the mirror is extraordinarily honest in some ways. Brett Whiteley and the lyricism of the drawn line - in pictures . He worked across painting, sculpture and the graphic arts, and is best known for his sensual and lyrical paintings of interiors, nudes and harbour scenes. Robert Walker, Gift of the Robert Walker family 2008, Brett Whiteley, 'Art, life and the other thing', 1978, Art Gallery of New South Wales. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified. Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. He is represented in the collections of all the large Australian . Whiteley discussing his paintings at home in Sydney., Age, 'Portrait of the artist as a winner', Melbourne, 25 Jan 1977, 2. Martin Terry, Masterpieces of Australian Painting, 'Brett Whiteley b.Sydney 1939', pg. His first Archibald award, Self portrait in the studio, in deep bluish tones, shows an image of his studio at Lavender Bay overlooking Sydney Harbour, with his own reflection in a mirror shown at the bottom of the picture; a view of Sydney Harbour on the left establishes the location of the picture. A day at Bondi Brett Whiteley . Whiteley's sculpture, Nude (1962) Brett Whiteley AO (7 April 1939 - 15 June 1992) was an Australian artist. 17, Melbourne, Feb 2001, 17 (colour illus.). Part of his work Alchemy (197273)[9] was featured on the cover of the Dire Straits live album Alchemy although it had the addition of a guitar with lips held by a hand. The illustration is a detail of Whiteley's 'Self Portrait in the Studio'. [4] For Whiteley it was more like a compulsion to break the imaginary rules of painting, to be spontaneous and transgressive and to be recognised for these revolutionary gestures. He sometimes took more than his body could handle, and had to be admitted to hospital for alcohol poisoning twice. [18], In 1999, Whiteley's painting The Jacaranda tree (1977), which had won the Wynne Prize, sold for A$1,982,000,[19] a record for a modern Australian painter at that time. (1939-1992 ) List of journal articles on the topic 'Stanley Press (Firm)'. Brett Whitely (Australian 1939-1992) Bio. Brett Whiteley: List of works - All Artworks by Date 110. Sebastian Smee, The Australian, 'Smoking thrills', pg. Growing up in Longueville, a suburb of Sydney, Whiteley was educated at Scots School, Bathurst[2] and Scots College, Bellevue Hill. Why did that particular work gain your attention? 3), 'Collecting international art', pg. (Bibliographic reference no. This long oil and ink self-portrait incorporates fluid lines building to a sense of rapture, intoxication and playfulness. He was the subject of an ABC television documentary called Difficult Pleasure directed by Don Featherstone in 1989, which showed him talking about many of his main works, and his recent works such as ones done during a month-long trip to Paris; one of his last overseas trips. One could be cynical about these additions, seeing them as pictorial short cuts that saved a lot of time and effort, but its entirely plausible Whiteley was motivated solely by inner necessity or at least, his own, idiosyncratic version of the concept. Almost too brutally honest, it seemed like the final flaring of a dying star. See opening hours Hilma af Klint, Buddha's Standpoint in the Earthly Life, 1920 Art Print. TheCompanion is available to buy online and in the Portrait Gallery Store. 5, Sydney, 07 Jul 1992, 5. After meeting Bryan Robertson, the director of the Whitechapel Gallery, Whiteley was included in the 1961 group show 'Recent Australian Painting,' where his Untitled red painting was bought by the Tate Gallery. As the camera pans through the studio and over the works, Whiteley describes the challenges of being gifted and of overcoming his addictive tendencies. The artist's face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger . Whiteley used the occasion to open discussions about Asia during a period in which Australian prime minister Gough Whitlam and American president Richard Nixon were establishing new relationships with the Peoples Republic of China. (Above) Brett Whiteley Self portrait in the studio 1976 oil, collage, hair on canvas, 200.5 x 259 cm The famed author Mishima had committed seppuku in 1970 and the literary mythology that arose of his apparent final vision of enlightenment in the form of the exploding sun, as he pressed the knife into his body, inspired and became the basis for this work. Barry Pearce and Alec George, 9 Shades of Whiteley, '5: Portraits', pg. Brett Whiteley - portrait 1 1975 Greg Weight. How does he push the definition of portraiture? The competitions are run annually, with the award ceremonies being held at the Art Gallery of New South Wales. Before this, his previous highest-selling work was The pond at Bundanon for A$649,500. Brett Whiteley is one of Australias most celebrated artists. The dominant impression is one of luxe, calme et volupt, in the manner of Henri Matisse, whose painting, The Red Studio (1911), was Whiteleys chief source of inspiration. The Brett Whiteley Studio, Brett Whiteley: Interiors, Sydney, 2001. His second Archibald prize, Art, Life and the other thing, shows his willingness to experiment with different media such as photography and collage. Jennifer Phipps role at the time of publication was Curator of Australian Art. In 1976 he won both the Archibald Prize for portraiture and the Sulman Prize for genre painting and, the following year, the Wynne Prize for landscape. His last studio and home - 2 Raper Street, Surry Hills in Sydney - is now a museum managed by the Art Gallery of New South Wales. It started with a peaceful, dreamlike, serene ocean scene on one side, that worked its way to destruction and chaos in a mass of lighting, red colours and explosions on the other side. This articles includes an anecdote by Stuart Purves, Australian art dealer, of Whiteley and his Archibald prize winning painting. In 1959 he won an art scholarship sponsored by the Italian government and judged by Russell Drysdale. His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. ), 23. Discusses how alcohol opens up circus of the imagination which Whiteley feared he would not be able to reach otherwise. (age36in1975). As with other works, there is evidence of Whiteley's love for Matisse, ultramarine blue, the Sydney Harbour location and for collected objects. His wife Wendy appears as "Delish". Sandra McGrath., The Australian, 'The making of an authentic genius', Sydney, 24 Jan 1977, 8 (illus.). 'Appearing in the 'Time Out' section. Published in Deutscher and Hackett: IMPORTANT AUSTRALIAN + INTERNATIONAL FINE ART, Braving Time: Contemporary Art in Queer Australia. It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from one's psyche. From $33.34. 21-23, Canberra, Sep 2000, 22-23. review of 'Australian icons' exhibition. Think about how they indicate Whiteley's views on art and his role as an artist. ), 21. The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. As it turned out, he could be neither scared nor shamed into giving up heroin. The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. Shop today! 3], Sydney, Jan 1976-Mar 1976, 233 (illus.). But at his best, Whiteley was brilliant and a major achievement of the film is that it focuses on this aspect of his art. By vintage wall art. BRETT WHITELEY 1978 was the only year in which all three prizes have been won simultaneously by the same person. This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. 6-7, Sydney, 1981, 6, 25 (colour illus.). See all 85 works. He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. Sandra McGrath., The Australian, 'A prize collection', Sydney, 27 Oct 1978, (illus.). The room is a veritable salon hang of the artists sculptures and drawings. The quality which unites them is a fluid energy of the brush, extending through the media of ink, watercolour and oil paint, reflecting a lyrical response to the calligraphic style. This article is associated with "Melba". gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. As well as Whiteley, artists included here are Peter Upward, Ian Fairweather, John Olsen, Tony Tuckson, Royston Harpur , Michael Johnson, and four of their Chinese contemporaries in the collection; Li Jinxue, HE Jianguo, Wang Ziwu and Nie Ou. Self Portrait at 36, Comedown, C. 1975 Ink on torn reassembled . He started drawing at a very early age. 1945 LtGen Edmund Herring by William Dargie. David Christian, 'At Lintas advertising agency, Sydney', c1956. The resulting work was called The American dream, an enormous work that used painting and collage and anything else he could find on the 18 wooden panels. 87-118, Sydney, 1991, 115 (colour illus.). Untitled (Bird) Brett . WikiZero zgr Ansiklopedi - Wikipedia Okumann En Kolay Yolu 8-14, Sydney, 1986, 14, 42 (colour illus.). Provenance: private collection NSW (gift from the artist c.1975). [28], This article is about the artist. 102-181, Sydney, 1999, 167 (colour illus.). 36. Portraiture for Brett Whiteley was an insight into the psychology of the human condition. Place yourself in your favourite room. Free delivery and returns on eBay Plus items for Plus members. Art market auction sales from the 1970s to 2023 for 3,338 works by artist Brett Whiteley (1939-92), and values for over 18,000 other Australian and New Zealand artists. [4] He painted Woman in bath (1963)[5] as part of a series of works he was doing of bathroom pictures. All rights reserved. Brett Whiteley is photographed by Robert Walker at. Brett Whiteley Studio Collection. This article appears in the 'Focus' section of the newspaper. (1974) The balcony 2 (1975) and Interior with time past (1976 . 1976 Self Portrait in the Studio 1978 Art, Life and the other thing Wynne Prize 1977 The . As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." Look at these paintings and examine how Whiteley has given us clues to his identity. Last modified on Wed 19 Oct 2022 10.16EDT, Original reporting and incisive analysis, direct from the Guardian every It was his comment on the direction the world might be headed and his response to a seemingly pointless war which could end in a nuclear holocaust. 28-29, Sydney, 09 Sep 1995, 28-29. Elwyn Lynn., The Australian, 'A life of eternal struggle'; 'Golden boy's genius worthy of adulation', Sydney, 17 Jun 1992, 1, 16 (illus.). . Leslie Hollings (Editor), The Australian, Sydney, 31 Mar 1979, (illus.). plate no. He was very much influenced by the peace movement at the time and came to believe that if he painted one huge painting which would advocate peace, then the Americans would withdraw their troops from Vietnam. 13: Brett Whiteley 'Self portrait in the studio' 1976. The National Portrait Gallery respects the artistic and intellectual property rights of others. Zo Ross (Editor), Eyewitness travel guides: Australia, 'Botanic gardens and the Domain', pg. The National Portrait Gallery is an Australian Government Agency, gelatin silver photograph on paper (, The National Portrait Gallery respects the artistic and intellectual property rights of others. ), 235. Brett Whiteley - Artist (1939 - 1992) After winning a grant from the Art Gallery of NSW at the age of 22, Brett Whiteley set up residence in London where he amazed art collectors with his highly sophisticated paintings. Nevertheless, within this perceived enlightened sense of judging, the Trustees reverted to traditional form with the award going to William Pidgeon in 1961 for Rabbi Dr I. Porush. He began a relationship with Janice Spencer, with whom he travelled to Japan, among other countries. Ursula Prunster, Aspects of Australian art, Sydney, 2000, (colour illus.). 1928 Dr Alexander Leeper by John Longstaff. Brett Whiteley was Born on the 7 th of April 1939 at Paddington Sydney. are Butcher Bird with Baudelaire's Eyes of 1972 in pen, ink, gouache and collage, and the . Michaela Boland., The Weekend Australian, 'Whiteley's ex-wife ready to fight forgeries', Canberra, 06 Nov 2010-07 Nov 2010, (colour illus.). 454-457, St Leonards, Mar 2003-May 2003, 455 (colour illus.). . At the time of print Olsen and Coburn were board members of the Art Gallery of NSW. Brett Whiteley, 'Self portrait in the studio' (1976) In the former, Whiteley's face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. An unconventional triptych, it consists of a small, coloured photo of Whiteleys face; a distorted full-length portrait of him drawing a copy of Dobells Joshua Smith, the controversial Archibald winner of 1943; and a panel that features a screaming baboon in handcuffs, staring helplessly at a hand offering a hypodermic. Jane Fraser., The Australian, 'Tribute to Whiteley looks back with love', Sydney, 07 Jul 1992, 3 (illus.). Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. In 1991 he was awarded an Order of Australia. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Donald Williams, In our own image: the story of Australian art, Sydney, 1995, 170, 171 (colour illus.). They had borrowed the money, using their car as collateral. During this time, Whiteley also painted works based on the animals at the London Zoo, such as Two Indonesian giraffes, which he found sometimes difficult. 218-227, New York, Sep 1998-Oct 1998, 222-223 (colour illus.). His poems have appeared in various anthologies, including those of the Newcastle Poets at the Pub; on various websites including the Black Dog Institute and the ABC; and on the walls of the New England Regional Art Museum with a Brett Whiteley self-portrait (2014) and the SCG Museum with Doug Walters Test cap (2014). I remember having this very, very powerful sense that my destiny was to completely give myself to painting that I would be a painter and it was a remarkable moment of knowing that. Peoples personalities are reflected in the things they collect and the environments in which they live. In 1989, he and Wendy, whom he had always credited as his 'muse', divorced. List of works. This article was written in regards to Whiteley winning both the Archibald, and Sulman prizes in 1977. unknown author., Northern Star, 'Archibald Prize won by Sydney artist', Lismore, 22 Jan 1977. unknown author., The Australian, 'Archibald Reflection', Sydney, 22 Jan 1977. The work experimented with warping and manipulating a straight self-portrait, incorporating his pictorial sense of addiction. Jane Hampson, Sun-Herald, 'Brett Whiteley's Images of Sydney Harbour', pg. 15 Jun 1992. Donald Williams, In our own image: the story of Australian art, Sydney, 2002, 173 (colour illus.). from The New York Times: Clinton had borrowed from his proposals to make public colleges free. [26], In 2017, a feature-length biographical documentary about Whiteley was released in Australian cinemas. [25], In August 2018, Opera Australia announced that it had commissioned an opera to be based on the life of Brett Whiteley. Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. His paintings during these years were influenced by the modernist British art of the sixties particularly the works of William Scott and Roger Hilton and were of brownish abstract forms. Brett Whiteley AO (7 April 1939 15 June 1992) was an Australian artist. Barry Pearce, Head Curator of Australian Art, Art Gallery of New South Wales said: 'this is an opportunity to bring together a selection of works influenced by, or in tune with, a special Asian aesthetic that began to infiltrate Australian visual culture during the 1960s, in particular the brushwork of Chinese and Japanese calligraphy. Whiteleys art was intimately connected to his tumultuous, creative life. I think he has done this to make the place seem more realistic because if he had . Catalogue text. He left Australia for Europe on 23 January 1960.[4]. Photograph of Brett Whiteley also appears with this article. 2), 'The Archibald Prize', pg. In 1999, Brett's mother Beryl Whiteley (19172010) founded the Brett Whiteley Travelling Art Scholarship in memory of her son. Born: Longueville, Sydney, New South Wales, Australia 07 Apr 1939, Died: Thirroul, Wollongong, New South Wales, Australia 15 Jun 1992, Brett Whiteley in North Sydney house, date unknown, by Robert Walker Estate of Robert Walker. He was the youngest living artist to have work purchased by the Tate, a record that still stands. ), 232. plate no. card no. His last studio and home at 2 Raper Street, Surry Hills in Sydney is now a museum managed by the Art Gallery of NSW. In these pictures the influence of Matisse reaches its apogee. In the late 1970s, Brett Whiteley won the Archibald, Wynne and Sulman prizes several times. 07 Apr 1939 Brett Whitely (7 April 1939 - 15 June 1992) Look closely at the work and find the signs and symbols Whiteley uses to represent himself as an artist. 272-275, Port Melbourne, 2010, 3 (colour illus. At the age of 16, while boarding at Scots College in Bathurst, he came across a book on Vincent Van Gogh and painted a self-portrait in emulation of the famously misunderstood Dutchman. In his self-portraits, the artist reveals layers of himself and defines portraiture as something beyond the physical self to include his environment, personal and artistic influences, whether affirming or self destructive. The original painting, done between 1972 and 1973 was composed of many different elements and on 18 wood panels 203cm 1615cm 9cm. Drugs and . Donated through the Australian Government's Cultural Gifts Program. Around him at the Hotel Chelsea, other artists and musicians took heroin, which Whiteley did not take at that time. 1975: Kevin Connor - The Hon Sir Frank Kitto, KBE; 1976: Brett Whiteley - Self Portrait in the Studio; 1977: Kevin Connor - Robert Klippel; 1978: Brett Whiteley - Art, Life and the other thing; 1979: Wes Walters - Portrait of Phillip Adams; 1980: No award; 1981: Eric Smith - Rudy Komon; Brett Whiteley - portrait 1 1975 Greg Weight. 204-210. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995. . No other Australian artist had such a wild, woolly set of curls. Abstract: `Prizes, Rivers and More Prizes' by Sandra McGrath, pg. An astonishing exhibition. He also spent time in the USA staying at New Yorks Chelsea Hotel, where he associated with counter-culture celebrities such as musicians Janis Joplin and Bob Dylan and in Fiji. Elizabeth Fortescue, Daily telegraph mirror, 'Regarding Whiteley', pg. His work was not always being praised by critics, although its market value continued to climb. 213-236, Sydney, Summer 1982, 235 (colour illus.). Gareth Sansom (born 19 November 1939) is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.. Best known for introducing new themes and subject-matter into Australian art and being one of the first Australian artists to be influenced by Pop art, particularly British Pop artists like Peter Blake, Allen Jones, Derek Boshier . 21, Sydney, 2008, 20 (colour illus. Closed Good Friday & Christmas day While the Archibald Prize never failed to stimulate debate, controversy yet again loomed when, in 1976, Brett Whiteley won with his painting Self Portrait in the . The other title to this self-portrait is 'Self-portrait in exactly the spirit in which it was drawn. Whiteley's tiny mirror self-portrait also reflects the influence of Eastern art in his portrayal of man as merely part of a larger landscape. Free delivery and returns on eBay Plus items for Plus members. It was, at the very least, a way of exposing his own dark obsessions to the widest possible audience and the full glare of publicity. Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). This approach was intended to allow Whiteley to speak "in his own words" about his life and art. (This same article appears in 'The Daily Telegraph Mirror', 20 June, 1992. This article is accompanied by a photograph of John Olsen looking at a section of Whiteley's prize-winning painting. This photograph was taken by Andrew Rankin. He believed he had a gift he needed to share with everyone but couldnt escape his habitual self-centredness. Transmission films. He died following an overdose of heroin in a motel in Thirroul, NSW in the winter of 1992. He did paintings of the areas around Bathurst, Oberon and Marulan, all in New South Wales. 63-87, Sydney, 1999, 77 (colour illus. Appearing in the 'Salesroom' section of the Australian Financial Review, with regards to the sale of `The Balcony 2', acquired by AGNSW. plate no. This article was edited by Sally White. At 16 we are all misunderstood and ready to identify with Van Gogh, but few teenagers could have created such an accomplished homage. unknown author., The Canberra times, 'Sydney artist Brett Whiteley wins Archibald Prize', Ainslie, 22 Jan 1977, (illus.). AU $100.00. He also showed his large T-shirt collection, and talks about his sculpture, which he said is an aspect of his work that many people do not take seriously. High quality Art Print. ), 231. plate no. Jenny Aland and Max Darby, Australian Artlook, 'A Timeline of Australian Art', pg. 'Strung between triumph, tragedy' an obituary by Barry Pearce. Robert Hughes, art critic for 'Time' magazine was quoted several times throughout this article. Difficult pleasure is how he described painting, or creating art stating, "Painting is an argument between what it looks like and what it means. Requests for a reproduction of a work of art or other content can be made through a Reproduction request. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. I am trying to become a great man. [5]. 46. An audio version released by Audible in 2016 was narrated by Mark Seymour. Terry Ingram., The Australian financial review, 'Market may see "secret" paintings', Sydney, 14 May 1993, 7 (illus.). Apart from the mirror portrait, this was clearly inspired by Matisse's Red Studio, with the colour transformed to Whiteley's favourite ultramarine blue. unknown author., The Courier Mail, 'He won Archibald and Sulman in top art coup', Bowen Hills, 22 Jan 1977, (illus.). 9, Sydney, 07 Sep 2013, 9. WHITELEY, Brett (1939-1992) 'Self Portrait at 36, Comedown,' c1975. This painting won the Archibald Prize in 1976 and was acquired by the Gallery in 1977. AU $100.00. One suspects a touch of trichophilia a fetishising of hair with vague sexual overtones. Alchemy is the mythical ancient process of turning ordinary compounds into gold. The urge was bound up with a self-conscious sense of his own genius. 81-82, Port Melbourne, 1998, 82 (colour illus.). I agree to terms and conditions. Leslie Hollings (Editor), The Australian, Sydney, 17 Mar 1979, (illus.). Baudelaire's Bird 1973 signed 'brett whiteley / Aug 1973' on verso oil and feathers on canvas on board 56.0 x 52.0cm (22 1/16 x 20 1/2in). Wilson quotes a letter the artist addressed to his mother, in January 1979, in which he writes of the realization (sic) of the deep responsibility I have to my talent, to share it with my fellow Australians with the world I am fighting the biggest struggle of my life at the moment. In the latter painting, the table in the front of the room close to the viewer has minutely decorated vases and small objects, while a drawing on the left and a sculpture to the extreme right show how Whiteley often used erotic images in his works. 6-7, Melbourne . Art Gallery of NSW. Self portrait in the studio Brett Whiteley 1976 1.1977 Winner - Archibald Prize 1976 On display . This appeared in the `Arts' section of `The Australian Supplement'. Max Prisk (Editor), The Sydney Morning Herald, 'Gallery packed as family pays tribute to tragic artist', pg. 15, Sydney, 29 Jun 1997, 15 (illus.). 61-85, Sydney, 2005, 76 (colour illus. He also painted the darling harbour and the opera because he lived in sydney. This is flanked on one side by a baboon howling with anguish as a ghostly hand delivers it a syringe, and on the other a photograph of the artist looking serenely normal. Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. 9 (verso) in education pack. (Whiteley 1979: 1) Whiteley also made images of the beach, such as his yellowish painting and collage work The beach II, which he painted on a brief visit to Australia before his return to London and his winning of a fellowship to America. Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010. Terry Ingram., The Australian financial review, 'Sir John's art fetches $42,000', Sydney, 24 Aug 1981. [6] His first impression of New York was shown in the painting First sensation of New York City, which showed streets with fast moving vehicles, street signs, hot dog vendors, and tall buildings. In July 2016, Text Publishing published Whiteley's biography, titled Brett Whiteley: Art, Life and the Other Thing. and their inevitable separation added to the artist's problems with substances and self-doubt. Unknown (Editor), Sun-Herald, 'The canvas of chaos - Brett Whiteley interview with Sam Newman', pg. Telephone (02) 9225 1734 or 0414 437 588. 'Brett Whiteley Self Portrait and Other Intimacies', pg. 20-21, Heidelberg, May 1997, 21 (colour illus.). Brett Whiteley was never shy when it came to measuring himself against the masters. Source: Art Gallery of New South Wales Archive, Brett Whiteley in his studio, 1976, by Robert Walker Estate of Robert Walker. signed lower right: BRETT WHITELEY, [1] Wilson, Ashleigh, Brett Whiteley: Art, Life and the Other Thing, Text Publlishing, Melbourne, 2016, p.272, [2] Berg, Charles, The Unconscious Significance of Hair, George Allen & Unwin, London, 1951, [3] Whiteley, Brett, quoted in Sandra McGrath, Brett Whiteley, Bay Books, Sydney, 1979, p.219, [4] Kandinsky, Wassily, On the Spiritual in Art, 1910 (mutiple editions). Excerpt from the film 'The Australian Londoners' directed by Stefan Sargent. Review of 'WARNING: Smoking has been linked to some of the most powerful images of the twentieth century' exhibition, held at Mornington Peninsula Regional Gallery. The Melbourne Argus, Saturday 21 January 1956 reported; 'South Australian artist, Ivor Hele today won the 1955 500 Archibald Prize for the fourth time, and the third year in succession. He makes no attempt to hide the fact that he is somewhere else He was trying silently to say, stay away, this is not what it might seem. 232-243, Sydney, 2000, 232 (colour illus.). Whiteley painted other images of the Australian landscape, including a view of the south coast of New South Wales after it had been raining called The South Coast after rain. Jenny Aland and Max Darby (Editors), Art Connections, 'Visual design or plan of artworks', pg. Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. No other artist left traces of his own locks on so many canvases. 26, Sydney, Jun 2014, 26 (colour illus.). 2-4, Sydney, 2001, 8. He painted abstracted images of bush scenes such as The bush (1966)[13] and also images which resulted from experimentation with various drugs, such as alcohol in the humorous Self portrait after three bottles of wine (1971).[14].
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